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"This is not a smoking-carriage," Mrs. Norman protested, nervously but very feebly, as the door swung open and a powerfully built young man jumped in. He seemed not to hear her. The train did not stop before it reached Cambridge, and here she was shut up alone, in a railway carriage, with a young man.She touched the spring of her dressing-case, and ascertained that the scent-bottle and a novel from Mudie's were both handy (the young man was standing up with his back to her, putting his bag in the rack). She would throw the scent-bottle with her right hand, she decided, and tug the communication cord with her left. She was fifty years of age, and had a son at college. Nevertheless, it is a fact that men are dangerous.
A typically wonderful read from the great Virginia Woolf. While Jacob is on the one hand the centre of this book, he is also the enigma which the reader never quite finds. We hear many others talking of Jacob, but we catch only fleeting glimpses of Jacob himself, making this book a strange, at times disorientating read. This however, is clearly Woolf's intention, as she plays with notions of character, authorial omniscience, and coherent plotting. A great example of classic modernist fiction from one of Britain's most celebrated authors. If you are prepared for a challenging read, then buy this book- but prepare for your expectations of what constitutes a novel to be put under the spotlight.